Conclusion




Typography is identified as a form of art that places text in a visually attractive and readable manner. Typography in the Chinese culture can be historically observed for thousands of years ago. Each character within the Chinese typography has a complete unit of meaning, unlike the alphabets that are combined to form letters. The traditional calligraphic art of China has strongly influenced typography. The woodblock painting of the Tang Dynasty advanced the standardization of characters. The movable type introduced by the Song Dynasty had cemented the way for early typography. Certain typefaces commonly used in modern typography include Song or Ming typefaces that are characterized by serifs and a structural balance, Kai that mimics handwritten regular script and is used commonly in educational materials and for formal use. With the advent of digital media, there are several dynamic font designs being introduced. Brands make use of such variable fonts and typefaces that have become prominent in Chinese typography. Although the presence of over 50,000 characters has increased the complexity within Chinese typography, the combination of traditional Chinese aesthetics with the principles of Western typography has become popular for both branding and product designs. Therefore, it can be concluded that Chinese typography continues to balance the deep cultural roots that it has even with modern innovations, thereby creating a unique space in the global design landscape.